Chioma di Farnia

I sign the Chioma di Farnia wallpaper as an act of slowness, an invitation to stop beneath an oak and look at its details. It belongs to the Flora family, the great plant narrative that has always fed decorative drawing, here declined through the lobed leaves of Quercus robur and its acorns, gathered in scaled cups that interlock in a close, regular rhythm, leaves alternating in direction, with no gaps or interruptions.

Every element is rendered with flat surfaces and clean outlines, without shading: an essential vector language that lets the form speak. The veins become fine lines of negative light cut into the cream ground, while the acorn cups hold a fine lattice weave, almost an embroidery. The colour moves between deep olive, moss green, warm ochre and umber, an earthy palette that returns the oak in its most authentic substance, not in its season but in its structure.

It is a design made to last, suited to any room that wants a wall of character and measure: homes, workspaces, fine hotellerie, each with its own natural light. In every WallZad weave, as in this Chioma di Farnia wallpaper, I recognise the time given to the precision of the repeat, that silent care which makes the boundary between one module and the next invisible, and only the forest visible.