Meridiani di Neon

The Meridiani di Neon wallpaper comes from an idea of a city that is not seen but sensed: a night-time urban grid barely perceptible, crossed by vertical and oblique beams that seem to cut the air like blades of light. It is the language of Rayonism, the movement that first broke reality down into trajectories of pure energy, that guides every mark of this design: no literal architecture, only the impression of towers, streets and windows dissolved into a lattice of rays radiating from two or three off-centre points of convergence.

Seen from a distance, the composition reads as a single dynamic gesture: a dominant diagonal thrust balanced by a quieter secondary axis, in an almost nocturnal ink blue punctuated by blades of acid yellow, silvery white and a few embers of burnt orange, as if street lamps and neon signs had been sliced into rays. Coming closer, the surface reveals a dense weave of parallel hatching and small broken marks, minute clusters that suggest distant windows lit in the night, caught within the great diagonals that cross the whole wall.

In this design I recognise the tension of urban modernity, its silent electricity. To bring the Meridiani di Neon wallpaper into a home, an office or a hospitality space is to take in that controlled vibration without giving up the calm of a contemporary interior. It is a gesture WallZad interprets with the tailored care it gives to every surface: a single continuous image, made to fill a large free wall and to give back, every time, the same luminous intensity.